Lawrence Lemaoana is one of 13 South African artists selected by curator Daniella Géo for the exhibition “Reconstruções: arte contemporânea da África do Sul” [Reconstructions: Contemporary Art from South Africa] running until 15 May at the Brazilian Niterói Contemporary Art Museum (yes, that Oscar Niemeyer building). One day they’ll organize an exhibition on contemporary South African art without the work of Goldblatt, Ballen, Kentridge or Mofokeng. One day.

Further Reading

An unfinished project

Christian theology was appropriated to play an integral role in the justifying apartheid’s racist ideology. Black theologians resisted through a theology of the oppressed.

Writing while black

The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.

The Mogadishu analogy

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.

Kwame Nkrumah today

New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.