Lawrence Lemaoana is one of 13 South African artists selected by curator Daniella Géo for the exhibition “Reconstruções: arte contemporânea da África do Sul” [Reconstructions: Contemporary Art from South Africa] running until 15 May at the Brazilian Niterói Contemporary Art Museum (yes, that Oscar Niemeyer building). One day they’ll organize an exhibition on contemporary South African art without the work of Goldblatt, Ballen, Kentridge or Mofokeng. One day.

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.