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Black-and-white still from Black Girl showing Diouana, wearing a patterned headscarf, standing with her hands raised toward an African mask mounted on a wall, her face turned toward the camera.

Death as liberation

Ousmane Sembène’s and Souleymane Cissé’s debut features end with women who choose death. What is more uncomfortable to confront: their deaths, or the conditions that made life itself unbearable?