
Blood and nation
In today’s India, stories of terrorism and national humiliation are being reworked into fantasies of decisive power — blurring the line between memory, myth, and politics.

In today’s India, stories of terrorism and national humiliation are being reworked into fantasies of decisive power — blurring the line between memory, myth, and politics.

Drawing on letters to his wives, a decade-long film project seeks to move beyond iconography and return Amílcar Cabral to the realm of the human, the fragile, and the unfinished.

As Somalia makes its first appearance at the Venice Biennale, some Somali artists are questioning who gets to represent the nation — and on whose terms.

Backed by the Trump administration, US mining firms, financiers, and tech investors are mounting an aggressive push into the DRC’s mineral sector, reviving an old imperial logic under the language of strategic competition.

As debates on industrial policy revive, Nyerere’s legacy offers a critical archive of both the promise and limits of socialist development.

What began as a familiar security state has hardened into something new: a unified coercive order that governs Egypt through violence, surveillance, and permanent emergency.

Kenya’s shift toward trade-led diplomacy underscores the difficulty of sustaining regional leadership under conditions of fiscal dependence.

Across the country’s urban centers, young men are being recruited into political militias that offer quick cash, fleeting power, and little chance of escape.

The Pope’s African tour tested whether the papacy can speak to ordinary people without becoming a prop for authoritarian power.

A debut feature set on the Cape Flats turns a familiar crime premise into a quiet study of fatherhood, masculinity, and survival. But its limited reach reveals the deeper problems facing South African film.

The football gambling industry across Africa preys on the risk factors built into the game. The only viable solution is investing in durable, developmental frameworks at the grassroots level.

Akinola Davies Jr’s feature-length debut traces how Nigeria’s military rule collapsed the boundary between political crisis and intimate life, leaving families to bear the cost of authoritarian power.