Africa Is a Country

National Pride

Africa Is a Country Podcast
African Five-a-Side Podcast

National Pride

By
Sean Jacobs

Cote d'Ivoire is Africa's best team at the moment. FIFA says so. Egypt, the current African champions, are second.

Emmanuel Eboue of Cote d'Ivoire, the top African team on FIFA's latest rankings (Image: Kehinde Wiley's artwork)

I’ll take any excuse to post about football. Fifa, football’s world controlling body, announced the latest rankings for world football this week. Not surprising are the top five nations: Spain, Netherlands, Germany, Uruguay and Portugal. We of course care about the African rankings.

The African teams in the top 50 are: Cote d’Ivoire (no. 16, down one place) followed by Egypt, defending African Cup of Nations Champions are 36th, down 2 places, with Ghana (37th, down 1), Burkina Faso (41th, down 1), Senegal (42nd, up 7), Nigeria (43rd, down 5), Algeria (46th) and Cameroon (48th), making up the rest of the top African teams.

My country, South Africa, is just outside the top 50: they’re 51st, down 4 places. Didn’t they draw and beat Egypt in recent African Nations Cup qualifiers eliminating the 6-time continental champions from next year’s finals? I thought that counted for something.

Kehinde Wiley’s painting of John Mensah, Samuel Eto’o and Emmanuel Eboue.

Sierra Leone (now 68th, up 24), Togo (95th, up 26) and Namibia (119th, up 24) are three of the six teams outside the top 50 who improved their position on the rankings by more than 20 places.

Sources: Here and here.

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.