
Will the colonized ever speak?
New French film on decolonization in Africa and Asia incapable of avoiding the Eurocentrism the filmmakers wanted to steer clear of.

New French film on decolonization in Africa and Asia incapable of avoiding the Eurocentrism the filmmakers wanted to steer clear of.

War, peace, and cooperation among herder-farmers in northeastern Uganda.

Meryam Joobeur’s film, Brotherhood explores Tunisia's outsized role in the Syrian conflict.

It is no longer shocking to witness the prejudice among French institutions and intelligentsia against Africa and Africans.

The art world largely Isabel dos Santos’s husband despite him being caught up in large scale corruption.

Multinational corporations are considered motors for development in Africa and the Dutch beer giant Heineken is often cited as one of the best examples. The reality is different and distressing.

The German far right party AfD has extended its revisionism of German history to the colonial era.

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Beyond news headlines, African artists complicate common migration narratives.

“African corruption” is only African as regards its victims. Its perpetrators are institutions and individuals from across the globe.

The question is not how, or where, or when neoliberalism will end, but if it will, and what the left will do about it. The case of South Africa is instructive.