What’s in an apology
President Emmanuel Macron's apology to Algerians over French colonialism us about presidential elections in France.
Blog
The unfinished business between Cameroon and France
France would rather play puppeteer than transparently acknowledge its role in first shaping — and now underhandedly curating — its colonial past.
A cure for the Dutch disease
The Netherlands needs a politics that is about race and class and gender and sexuality – not just about class in a reductionist sense.
The Legacy of the Algerian Revolution
One of the most enduring legacies of colonialism is the idea that it is impossible to contemplate a future in which the rest of the world does not resemble Europe.
We are all Helen Zille
Southern African whites serve Western interests in Africa, acting as conduits and reinforcing racist propaganda that sustains a colonial worldview about Africans.
The New York Court and Namibia
Namibia taking Germany to court in a country with its own history of genocide against indigenous peoples, hoping they may honor the U.N. Declaration of Human Rights.
Germany’s Marshall Plan for Africa
What are the political dynamics that may have led to the adoption of Germany's ambitious framework to reinvigorate Africa's development.
The roots of the current crisis in South Africa
The ways in which state elites and the private sector have found ways to swindle the poor.
Was Mohandas Gandhi a racist?
Debates about Gandhi represents a deeper crisis about belonging, entitlement and exclusion in postcolonial Africa.
Where is the Central African Republic?
The Central African Republic has become shorthand for “failed postcolonial African state,” basically the prototype of a country in permanent crisis.
The Border Crossing
The unwelcome atmosphere for refugees from Africa in the United States, result in some of them risking their lives to get to neighboring Canada.
The second life of ‘Daughters of the Dust’
The classic film, first premiered in 1991, is making a comeback. Not least: Beyoncé’s visual album 'Lemonade' borrows liberally from Julie Dash's film. Why is the film so influential?