
The paradox of our engagement with technological apparatus
How can bodily experiences be shared, asks British Nigerian director Shola Amoo in his short film, "Touch."

How can bodily experiences be shared, asks British Nigerian director Shola Amoo in his short film, "Touch."


The brochures about the town left out the reality for Stellenbosch's black residents: poor, nasty, brutish, and short.


Colbert’s satire is based in a smug ironic whiteness. It doesn't mean I have to like it or can't feel it's problematic or alienating as a person of color.

Ethiopian-American artist, Wayna, explores issues including police brutality, disenfranchisement, race and identity in her music.

The contradictions of U.S.'s domestic and international policies manifested by its wars on drugs, terror, and the country's Black communities.

The chance to place cricket fully in its poco setting – beyond its boundary – and to understand it as a form of political contestation.


When the Senegalese-American singer Akon is not claiming to provide electricity around the continent, he gives interviews. The latest, to Larry King, is a train wreck because of Akon's reactionary's views. For those in the know, this is peak Akon.

Who has the right to speak about the late Nigerian Afrobeat king, Fela Kuti, and how is that right earned? Also, what do you exclude? What do you include?

The writer, a Nigerian immigrant to Belgium, writes about her experience with racism, including as a town councillor.