
Somewhere between folklore, memoir and modern fiction
Reading Yewande Omotoso's novel "Bom Boy," just when you think you’ve figured the characters out, the author opens them up a little more, and our perceptions change.

Reading Yewande Omotoso's novel "Bom Boy," just when you think you’ve figured the characters out, the author opens them up a little more, and our perceptions change.

A film about a Sudanese migrant to America explores a general fact of contemporary existence.

We don’t know why the South African photographer decided to apply to become "coloured" under Apartheid's racial classification laws.

What does all that mean for French-African politics? It’s hard to tell what will next emerge from that fetid swamp.

A remarkable amount of new films in recent months have used migration, detention and illegal sea crossings as their subject matter.

The film, "Come Back, Africa," first released in 1959, challenged how white liberals imagined black people or tried to shape their struggles in South Africa.

A locally produced arts festival creates panic for Angola's authoritarian government, who has, predictably, responded with panic and repression.



Kenyan activists raise their voices, placards and fists over US$500 million allocated but not yet spent for anti-retroviral medications. That’s a lot of money, drugs, and lost lives.