
Bring the Beat Home
The documentary, "Soul Power," captures a moment in African-American music during the 1970s: testing its boundaries in Kinshasa, Zaire.

The documentary, "Soul Power," captures a moment in African-American music during the 1970s: testing its boundaries in Kinshasa, Zaire.

Congolese musicians are divided over politics: endorse President Joseph Kabila and gain from official patronage, oppose him in exile or cope independently in Kinshasa.

This new batch of films are set in Guinea Bissau, Ghana, Sudan, Morocco, Kenya, South Africa and Mauritius.

They used the same examples every trendy Western fashion or pop culture publication do, when they run special issues on South Africa.

A group of black women, from Africa and its diaspora, decide to mess with Paris Fashion Week. Was it worth it? Did anyone care?

When Deacon, a member of the band Animal Collective went to Mali to make an album and . . . to end slavery.

Former UN envoy Jean Ziegler on Third World hunger: "We Let Them Starve."

Africa isn't a brand and we find the clamor for "positive news" from Africa inane and condescending.
The Nigerian poet and critic, Odia Ofeimun, on how Nollywood depicts traditional culture and religion.

Cedric Nunn's photography reflects the complex emotions of his black South African subjects, their humanity, dignity, in very personal terms.

A recent trip to Israel and the new sub-set work he produced there, raises some doubts about Kehinde Wiley's art practice.

The photographer Aida Muluneh's work explores Ethiopia via identity, personal journey, and family nostalgia after a 30-year absence.

Can a rap music video do better than some journalism in showing the real, unvarnished existence of ordinary Nigerians?

Number 3 in our series of short descriptions of ten new African films to watch out for.