• Sean Henry Jacobs

• Sean Henry Jacobs

• Sean Henry Jacobs

• Sean Henry Jacobs

The poetry of Ronelda Kamfer sheds light on the still marginalized lives of South Africa’s “brown communities.”

• Sean Henry Jacobs

• Sean Henry Jacobs

Marlene Dumas, the South African-born artist whose work is sought by important collectors, keeps a blacklist that prevents those she views as turning over her works too quickly from buying additional works by her and other news.

• Africa Is a Country

• Sean Henry Jacobs

• Sean Henry Jacobs

• Sean Henry Jacobs

• Bongani Madondo

An ode to Busi Mhlongo, the South African singer, composer and danger.

• Sean Henry Jacobs

White South African and Americans musicians have borrowed heavily and built a careers off the Maskandi music pioneered by working class musicians like Luthuli.

• Sean Henry Jacobs

A lot of people, not just Nigerians or its media, are pleased with white South African photographer Pieter Hugo's portrayal of Nollywood.

• Sean Henry Jacobs

There is something tail-swishingly devilish about the way Lionel Messi runs with a football.

• Sean Henry Jacobs

The result may be a foregone conclusion, but it hasn't stop young Sudanese, via the Girifna Movement, working to get the vote out using music.

• Sean Henry Jacobs

Jeffrey Gettleman, The New York Times’ Africa Correspondent, frequently seizes opportunities to slander Africans while praising their colonizers.

• Sean Henry Jacobs

A white man dressed like Mobuto with two black "assistants" in tow, throw around fake money in Basel. What's this about?

• Sean Henry Jacobs

Sorious Samura joined African migrants trying to make it to Europe for menial jobs and loneliness.

• Sean Henry Jacobs

Madlib's "Medicine Show No. 3: Beat Konducta in Africa" is about African liberation in the 1970s, especially south of the Limpopo.

• Sean Henry Jacobs

Nicholas Kristof's journalism, which is largely focused on Africans, is exhausting to watch. And it is always about himself.