
The corruption of hip hop in Burkina Faso
For rapper, Art Melody, hip hop is a philosophy, one that can’t be sold out for fame, money, or even politics.

For rapper, Art Melody, hip hop is a philosophy, one that can’t be sold out for fame, money, or even politics.

The first Zambian woman to be a Rhodes Scholar, lawyer Lucy Sichone returned home to represent people whose rights were trampled on.



Lesotho writers and creators' growing awareness that they are part of a global society and just trying to claim their place as agents in this world that they live in.

Visualizing the 1760-1761 Slave Revolt in Jamaica, the greatest slave insurrection in the eighteenth century British Empire.

An interview with Cape Town-based anarchist hip hop collective, Soundz of the South (or SOS).

Revisiting the Ugandan political scientist Mahmood Mamdani’s seminal book, "Citizen and Subject: Contemporary Africa and the Legacy of Late Colonialism."

To make sense of Bill Cosby’s fall from grace requires distinguishing questions of legacy from questions of individual reputation.

'Beauté Congo' wonderfully represents Congolese contemporary art, yet fails to completely evade European colonial baggage.


How can international advocacy movements be self-reflective and accountable to the people on whose behalf they speak?

A Congolese writer whose work oscillates between gripping dystopia and humanist celebration.

A smallish woman from Mauritania, she rules the stage with a fiery intensity that only the most powerful divas can maintain.

White South African cricket writers should stop commenting on cricket as if the game is apolitical or the national team is still as all-white as when the country was first allowed back into international cricket.

The new documentary film, "We Will Win Peace," skillfully debunks many myths behind conflict minerals in the Congo.

Festejo Pachone is a crowdfunded music estival in Bogotá, Colombia that disproves the perception of the city is culturally lacking.

The film is doubly removed from the West Africa in which it was made and in whose name it claims to speak.