What’s the matter with … Stellenbosch University
Legacies of colonialism and apartheid are etched into social dynamics of the town in the way its inhabitants occupy public space. The same goes for the university.
Legacies of colonialism and apartheid are etched into social dynamics of the town in the way its inhabitants occupy public space. The same goes for the university.
How an an annual, independently-run series of events founded in 2011 in the Eastern Cape have propelled the genre in that South African province.
The essayist T.O. Molefe (he is a contributor here too) has a new op-ed column up at
That old excuse of ‘We didn’t know’ (previously also heard as ‘Ons het nie geweet nie’ and ‘Wir haben es nicht gewuszt’) may be factually accurate, but it is never an ethical defense.
Africa is a Radio went on break last month along with Africa is a Country, so
Her nudity wakes us up, either in protest or solidarity to the fact that everything is not okay in South Africa.
The politics of three prominent South African films: the classics 'Come Back Africa,' late-1980s 'Mapantsula' and Oscar winner 'Tsotsi.'
James Matthews has the distinction of being one of the first Black Consciousness poets and publishers in South Africa. He is the subject of a documentary by director Shelley Barry.
Will the trade union that organized the strike will unify and rally workers outside of the ruling alliance.
"Former" white schools propose color blindness to tackle racism against its new black students, invariably leading to alienation and discomfort on the part of the latter.
The progressive rock of The Brother Moves On is a great case study for why the category of "world music" is at best dated, and at worst problematic.
The artist Umlilo documents their metamorphosis from a tortured outsider to a fully realized divine being.
Biased media reporting won’t advance popular and professional understandings on how psychiatric conditions interact social and economic sources of stress.
My first introduction to Comrade Nadine was through her writing during my student activist days in
The struggle over the price of bread in South Africa is the struggle for adequate nourishment, and securing the right of the poor to flourish.
The last third or so of Director Phil Harrison’s film about Irish multinationals in South Africa suffers from needless flattening.
District Six was the start of a really vibrant, none racial South African and that’s why it had to die.
Brenda Fassie was a woman who stepped out of line, talked out of turn, wore the pants, pulled up her skirt and loved women and men.
The artist Mohau Modisakeng mines the contours of colonial and post-colonial history.
Scenario planning is something of a cottage industry in South Africa and was particularly popular during