The African roots of the Americas

There is a lot of ignorance about Afro-Latinos, despite the deep history dating back to the introduction of slavery in Latin America and the Caribbean.

Image: Daniel Valero.

The third edition of the wonderful Afro-Latino Festival was held in New York City between July 10th and July 12th. In its own voice, the festival “… provide(s) a networking space to pay tribute to the African roots of people from Latin America and the Caribbean.”  The festival included concerts from traditional musicians that carry on the legacy of African influence on the music of Latin America, such as the Colombian cumbia band Los Gaiteros de San Jacinto, but also featured shows by artists exploring more contemporary musical directions, such as Cuban rapper Danay Suárez.

It also featured various panels to discuss what exactly means to be Afro-Latino, and how Afro-Latinos are portrayed on their countries’ and in international media.

On the first day of the festival, we met in Madiba, in Harlem, with Mai-Elka Prado, the founder of the festival, and with Amilcar Priestley, its director, to talk about the purpose and the history of this event.

We also met with Los Gaiteros de San Jacinto and asked them about their music and their musical traditions.

We were also very lucky to get a good spot to catch Los Gaiteros’ concert in The Wick, in Buschwick, where we were able to record their performance of their Grammy Latino-winning hit “Un fuego de sangre pura.”

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.