
Put some respect on Nollywood’s name
The American network VICE turns to Nigeria and its film industry as a further source of wonder for its mostly white correspondents.
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Miguna Miguna is a Kenyan activist and lawyer.
The American network VICE turns to Nigeria and its film industry as a further source of wonder for its mostly white correspondents.
Liberians should not be guinea pigs in an experiment to transform public education into a market opportunity for foreign capital.
There have been few protests in South Africa’s post-Apartheid history that are as documented as Fees Must Fall. Add Aryan Kaganof’s “Metalepsis in Black” to the list.
Contrary to the utopian dreams of the early internet, the idea of a more democratic communications space has given way to a system of capitalist exploitation, including how we consume music.
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What personal and collective memory is evoked when we encounter films from a historical period?
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For the Star Boys, a West-African performance collective based in Antwerp, Belgium, the dream of playing professional football in Europe found its revival in theatre.
The playwright Mfoniso Udofia is trying to debunk the “typical” understanding of Africa, and specifically Nigeria, in her work.
Why is Liberia’s Government rushing to sell its public schools to for-profits from the United States?
What’s missing from feminist readings of Nollywood romantic comedy ‘Isoken’ are readings that gets at the film’s racial politics.
South African students have confronted us with a range of political, economic and intellectual questions to be answered – not merely posed a problem that needs to be managed.
The vivid cinematography of “Waithira,” a film about Kenya, aside, the author would have preferred more knots to be tied and a little less untethering.