
Capturing Nigerian histories before they disappear
The Nsibidi Institute Memory Project attempts to use digital forums to preserve popular, everyday memories of Nigeria.
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Miguna Miguna is a Kenyan activist and lawyer.
The Nsibidi Institute Memory Project attempts to use digital forums to preserve popular, everyday memories of Nigeria.
Is diasporan a word? It is now. You cannot understand what it is to be Nigerian, or Kenyan or South African now, without factoring in the diaspora.
Why are we so averse to acknowledging complexity, difference, subtlety and agency when it comes to art that emerges from and in Africa?
Why is the United States, not a signatory to the Rome Statute, defending the honor of the International Criminal Court?
Is the new benchmark in South African cinema “Happiness Is A Four Letter Word”?
The IMF is now acknowledges its neoliberal agenda over the last couple of decades was a mistake. Should we take them at their word.
It’s hard not to imagine what could have been, or indeed could be in postcolonial Ghana if the political will and right management was in place.
The government is using the refugee population as red meat in local politics and a bargaining chip for more international aid.
The little-known story of how US-based Pan Africanists responded to white racism and a corrupt school system by founding their own schools in the 1960s and 1970s.
The color red, berets, and plain workers’ clothing have all become potent aesthetic symbols for South Africa’s EFF.
Postcolonial and intersectional theories, the dominant tendencies in student movements, suffer from an absence of economic analysis.
Imagine the exposed position black players were in English football in the 1960s: the only black man in the stadium, never mind on the field.