The most interesting bits
Kaleidoscope magazine has done an “Africa” issue; it wants to walk a fine line between identity politics and universalism.
53 Articles by:
Orlando Reade
Orlando Reade is a Ph.D. student in English at Princeton University.
Credit Credit Art
The London Olympics, the Africa Utopia symosium and London’s “Festival of the World with Mastercard.”
Bathers at Sea Point: Photographs by Antoinette Engel
Antoinette Engel, a documentary filmmaker and photographer based in Cape Town (and a friend of this
The Photographs of Mary Beth Meehan
Mary Beth Meehan, an American photographer in the U.S. northeast photographs marginal people: immigrants and poor people, both black and white.
Gaddafi Archives at the London Photography Festival
The ‘Gaddafi Archives – Libya Before the Arab Spring’, which opened this week at the London
A Room Adrift in London
This thing about a boat on The Thames named for the one Joseph Conrad sailed up the River Congo before writing Heart of Darkness.
Steve Bloom photographs 1970s Cape Town
The London Festival of Photography has opened, and one of its most appealing features is an
Pieter Hugo on ‘political correctness’
Pieter Hugo, the critically acclaimed South African photographer, has done an interview with Guernica (H/T Glenna Gordon) in which
Egypt after Edward Said
Last December, when the Institut d’Egypte was burned down, I thought immediately of Edward Said. Napoleon’s expedition
Where is contemporary African art? Not at Bonhams
Bonhams must have employed some jokers to publicise their latest attempt to cash in on the
‘Afropolitan Divas’ in London
The second Numbi of 2012 happened – with undeniable flamboyance – last Saturday, bringing a team of ‘Afropolitan
Achille Mbembe at the Tate Modern
The moderator received a text which said that the political philosopher was trying to find an internet café, then another saying Mbembe was trying to find an internet café with Skype, then another saying that he was trying to find an internet café with Skype in a part of the city where there wasn’t a power-cut.
Coca-Cola can’t copyright colour: the art of Sokari Douglas Camp
"Coca-Cola Bird" stands facing the corner of the gallery, half-turned towards us in surprise or exhibition, oily red paint spun across the bucket cocked over her head, the same brash color on the feathered tutu winding around her waist. Her chest sprouts sparkling empty bottles bearing the famous label, and familiar labile curves.
Africa as Science Fiction
Science fiction as genre offers the opportunity to African artists to consider Western cartographies of the future as fictions in their own right.
David Cameron’s Libya Doctrine
Britain’s secret service, MI5, passed on sensitive information to their Libyan colleagues to torture dissidents.
An unusual sensitivity
One of the striking facts of Nabil Ayouch’s film is that Israelis love the land and the Palestinians love it too.