
Cinema against silence
A new Malian film takes on the tradition of forced marriage with humor, intimacy, and defiance—reimagining African cinema as both tribute and rupture.
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Sasha Artamonova is a PhD candidate in Art History at Northwestern University and the EHESS (Paris), specializing in modern and contemporary art and cinema from Africa and the African diaspora.
A new Malian film takes on the tradition of forced marriage with humor, intimacy, and defiance—reimagining African cinema as both tribute and rupture.