
Stone breakers
This edition of Weekend Music Break, number 48, curated by journalist and rapper T’seliso Monaheng, stops over in Senegal, Lesotho, Ghana and South Africa.
6393 Article(s) by:
Fatima B. Derby is a Ghanaian feminist writer and queer activist.

This edition of Weekend Music Break, number 48, curated by journalist and rapper T’seliso Monaheng, stops over in Senegal, Lesotho, Ghana and South Africa.

How the U.S.’s paper of record, the New York Times, “debates” South Africa’s “future.”

Who decides where African fiction begins and ends and which (African) writers fall within its ambit?

Here’s a selection of articles that go the extra mile and poke holes in the narrow frame of the “Malian crisis.”

Thanks to labor groups in Sweden, a major importer of South African wine, who have recently called attention to labour abuses on farms.


SOS Democracy wants to raise voter turnout, educate them on their choices and hold the candidates and government accountable to voters.


German reality shows that travel to Africa have the feel of colonial era ethnographic films in how they perpetuate the image of the ‘primitive other’


“Africa is finally seizing control of its image” goes the mantra. But which Africa and which image?


A new Israeli law orders asylum-seekers to be detained for an unlimited period without judicial oversight or criminal proceedings, even for misdemeanors like bicycle or cell-phone theft.

A New York Times article that’s respectful and mostly accurate, including the use of terminology, when covering African Traditional Religion.

The merits of restaging ‘Une Saison au Congo,’ Aimé Césaire’s history of the life and death of Patrice Lumumba, in London, starring Chiwetel Ejiofor.

The South African feature film, “Of Good Report,” deals with the relationship of a teacher with his underage student. The local censors decided it is a crime to screen it.

Hashim Amla’s appearances on the cricket pitch and its meaning, reflects similarly on South Africa’s own, ongoing, liberation struggle.
