Africa Is a Country

Stone breakers

Africa Is a Country Podcast
African Five-a-Side Podcast

Stone breakers

By
Ts'eliso Monaheng

This edition of Weekend Music Break, number 48, curated by journalist and rapper T'seliso Monaheng, stops over in Senegal, Lesotho, Ghana and South Africa.

Xuman, the rapper, activist and radio host returns with this week’s edition of “Rap Journal”.  They’re part of Y’en A Marre, a collection of rappers and youth activists who is partly responsible for bring Senegalese President Abdoulaye Wade, who after his two terms were up tried to change the constitution and failed. This episode of Rap Journal addresses police corruption in Senegal while paying homage to the South Africa’s beacon of light, Nelson Mandela. Look out for a guest appearance by Dead Prez’s M-1, who was in Senegal recently working on some music.

Disregarding the controversy surrounding their movement in their home country of Lesotho, Kommanda Obbs’ crew D2amajoe (or Lithua-majoe, meaning ‘stone-breakers’ in Sesotho) have released a video which doesn’t veer far away from their name. Hardcore raps over banging beats are complemented by snapshots of their home country as they sing “I’m the size of ‘Malekoporo/ I’m a fish of the ocean/ its size compares to that of the Machache mountain.” It should be pointed out that certain scenes from the video are reminiscent of this one.

If not for the impressive line-up of rappers (from Ghana’s best including EL, M.anifest, D-Black, Sarkodie) on this song (“The ChOsen”), we had to include the video for its YouTube comments. This comment – “… the Reason why Nigerian Music is Far ahead than Ghanaians … i love this Music but the clip is soo lame … the Clip should have been better than this” – sums up the majority of the commenters’ sentiments.

Jam Sandwich is a weekly show on South African national television which endeavours to bring musicians from different musical backgrounds to collaborate on a song. Past jams have included Bongeziwe Mabandla with Dirty Paraffin and Jack Parow with Klipwerf Orkes. Klipwerf Orkes also happens to be one of South Africa’s biggest-selling groups. Here’s Dutch artist Stef Bos and South African rapper Kanyi:

It bears repeating that the quantity of rap music coming out of Senegal is staggering. The legendary Souleymane Faye joins Gaston on this poignant commentary on the loss of societal values among the youth of Senegal.

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.