
The Soap Bar
The Girifna Movement, a social movement in northern Sudan, encourages voting and advocates for peaceful change amidst the country’s depressing election scenario.
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Fatima B. Derby is a Ghanaian feminist writer and queer activist.

The Girifna Movement, a social movement in northern Sudan, encourages voting and advocates for peaceful change amidst the country’s depressing election scenario.

My latest roundup of happenings that couldn’t get the full standalone post treatment.

An ode to Busi Mhlongo, the South African singer, composer and danger.

White South African and Americans musicians have borrowed heavily and built a careers off the Maskandi music pioneered by working class musicians like Luthuli.

The 1884 and 1885 meetings in Berlin of Euro-American powers to divide up the riches and territories of Africa are being reprised. By and for celebrities.

The New York Times columnist traveled to Zimbabwe and wrote two totally different stories for his paper that read like night and day.

Julius Malema is equally a creation of the ANC and the South Africa’s media. He is, however, the ANC’s responsibility. How long it will take before ANC leaders kick him out?

A lot of people, not just Nigerians or its media, are pleased with white South African photographer Pieter Hugo’s portrayal of Nollywood.

There is something tail-swishingly devilish about the way Lionel Messi runs with a football.

The result may be a foregone conclusion, but it hasn’t stop young Sudanese, via the Girifna Movement, working to get the vote out using music.

The murder of the racist, far-right politician provides further fuel for the victim discourse among white South Africans.

Jeffrey Gettleman, The New York Times’ Africa Correspondent, frequently seizes opportunities to slander Africans while praising their colonizers.

A white man dressed like Mobuto with two black “assistants” in tow, throw around fake money in Basel. What’s this about?

Social progressives in South Africa would like to believe otherwise, but the country is mostly socially rightwing and conservative.

Sorious Samura joined African migrants trying to make it to Europe for menial jobs and loneliness.

Madlib’s “Medicine Show No. 3: Beat Konducta in Africa” is about African liberation in the 1970s, especially south of the Limpopo.

Nicholas Kristof’s journalism, which is largely focused on Africans, is exhausting to watch. And it is always about himself.

The Ghanaian-Russian photographer documents the African diaspora in Europe, mostly in the United Kingdom.

Zeal Onyia was a master Nigerian trumpet player from the 1950s treated as an equal by Louis Armstrong.

Is the New York Times’ correspondent in East Africa, a journalist or just someone relaying stereotypes?