
Akon’s “giant Ebola air bubble”
That story about Akon, the Senegalese-American R&B singer, performing in an air bubble to thousands of screaming Congolese in Goma, because he doesn’t want to get Ebola is false
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Golda Gatsey is a freelance writer and customer relationship manager.

That story about Akon, the Senegalese-American R&B singer, performing in an air bubble to thousands of screaming Congolese in Goma, because he doesn’t want to get Ebola is false

The need to move the art discussion away from Darwinian interests in gorillas to the concern for new audiences for contemporary art in Africa.

The story of Ba re e ne re, now probably Lesotho’s premier literary festival as told by those involved from its start in tragic events.



As a filmmaker, Matsetela wants to be an alternative voice, in a topography that’s filled with stories by others, like Django Unchained, defining black people.

“The metaphysical properties of hip-hop, the metaphors, helped me imagine a better world.”

If “Exhibit B” truly offered the profound critique of slavery and colonialism its creators claimed, why the outrage? Why object to confronting silenced, gazing human “tableaux”?

Burkinabe want to sweep out bad governance, political patronage, poverty, lack of respect for human rights and freedom of speech.

For a number of reasons, the LGBTQ community in Botswana experiences less severe social and institutional backlash than elsewhere in Africa.

How an an annual, independently-run series of events founded in 2011 in the Eastern Cape have propelled the genre in that South African province.

Google translators limitations make for sometimes funny, sometimes dangerous results.

What if the author, a Dutch blogger, had the chance to edit an “Africa”-edition of a prominent European magazine.

That old excuse of ‘We didn’t know’ (previously also heard as ‘Ons het nie geweet nie’ and ‘Wir haben es nicht gewuszt’) may be factually accurate, but it is never an ethical defense.

Hipster’s Don’t Dance’s ‘Top 5 World Carnival Tunes’ for September 2014.

Egypt has a sexual harassment problem. Two young women decided to make a film about it.

While hip-hop can still connect us to our higher selves, its mainstream adaptations reveal that it is inherently human and not free from flaws.
