Bam bam riddim

Hipster's Don't Dance's 'Top 5 World Carnival Tunes' for September 2014.

Gaia Beat.

The second edition of the Hipster’s Don’t Dance monthly chart on Africa is a Country is here. Check it below, and be sure to visit the HDD blog regularly for all our great up-to-the-timeness out of London.

Wizkid – In My Bed

Last time we did a chart we bemoaned the fact that Wizkid wasn’t releasing his 2nd Lp, stashing it away like it was Detox. Then he went ahead and dropped it in the middle of the night ala Beyonce (he says it was in fact leaked). It’s a great effort and this one sees his channeling South Africa more than his recent efforts.

Burna Boy – Check and Balance

I really hope Burna Boy and his record label patch things up because part of his appeal was Leriq’s beats. This weak Bam Bam riddim retread is ok and keeps his dancehall fans happy but at the end of the day its just not the same.

Gaia Beat – Kimpelequecé (feat Fiuk Tutuka)

Can everything be produced by Angolan Gaia Beat? Commercials, ringtones, alerts on public transport? This track from earlier in the year features some incredible kuduro dancing as well.

Kcee – Ogaranya ft. Davido

Kcee and Davido team up for Ogaranya and the video is one of the most vibrant Afropop videos out at the moment. It sees the pair stunting in their best traditional attire complete with Nigerian coral. Keep your eyes peeled for the shot with the doves!

Wande Coal x Baby Hello

Wande Cole’s “Baby Hello” video sees Yemi Alade as the video girl in what looks to us like Naija’s 2014 take on Billy Joel’s “Uptown Girl” video. “Rotate” is still getting a lot of love from us and this one is following in its footsteps.

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.