
Cinema of disquiet
Alain Resnais and Chris Marker’s 1953 film “Statues also die” should be appreciated more for how it challenged European, especially French, approaches to African art.
6395 Article(s) by:
Marjorie Namara Rugunda is a writer, researcher, and PhD student at the University of British Columbia.

Alain Resnais and Chris Marker’s 1953 film “Statues also die” should be appreciated more for how it challenged European, especially French, approaches to African art.

Whether there will be an “Awkward Black Girl” movie or not, Issa Rae has impacted black television without ever being on television.

Toronto lends itself to sci-fi imaginings, so it’s not surprising that for some it could be a capital of Afrofuturism.


In Deji Olukotun’s novel, a Nigerian NASA scientist — on behalf of all colonized people — wants to return moon rocks that Neil Armstrong brought back to earth.


Bloomberg Africa evokes Ronald Reagan’s “welfare queen” stereotype for poor South Africans.

It is important that the Netherlands’ history of slavery gets anchored in Dutch history curriculums in the same way that the Second World War is.

Creating spaces where artists related to the Congolese diaspora can freely tell their side of the story.



The writer, Chimamanda Adichie, lines up the homophobic arguments against rights for gay people and knocks them down one by one.

In a non-sensationalist manner, without super-heroes and special effects, director Steve McQueen allows the viewer not just be horrified, but to empathize too.

While there is no Wolof word for “lesbian,” there are multiple words for the practice of a woman having sex with a woman, or a man having sex with a man.



Amy Chua’s racist nonsense about “model minorities,” peddling the lie that elites are on top because they’re better.

Since she has never really spoken about her feelings on the breakdown of her marriage to Nelson Mandela, except to very close friends, we are obliged to speculate.