
‘Crazy Rich Nigerians’
Nigerians’ anger and frustration are deservedly directed to their government. But few point to the special breed of Nigerians: the “Crazy Rich Nigerians.”
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Miguna Miguna is a Kenyan activist and lawyer.
Nigerians’ anger and frustration are deservedly directed to their government. But few point to the special breed of Nigerians: the “Crazy Rich Nigerians.”
We are not just marking the end of 2019, but also the end of a momentous, if frustrating decade for building a more humane, caring future for Africans.
Masauko Chipembere’s first solo album is a remarkable achievement and a timely musical reminder of the circular nature of pan-Africanist consciousness.
The use of Evangelical Christianity to oppose progressive policies on sexuality education in schools is another example of Ghana’s march to the right.
Is western media’s mostly individualized focus on the Ugandan opposition figure Bobi Wine helpful to his movement?
The Chimurenga arts collective explores the relevance of FESTAC, a near forgotten, epic black arts festival held in Nigeria in the mid-1970s, for our age.
Evan Mawarire became a leader against Mugabe and ZANU-PF’s oppression in Zimbabwe, but at what personal cost?
Centering African voices in a discussion so often dominated by non-African observers.
Among the many legacies of Teju Olaniyan’s teaching and writing would be a project to not only speak in the ideological name of Africa, but to redistribute the power of speaking in that name.
A response to the latest United Nations report on Zimbabwe’s food emergency.
South Africa introduces a new law which allows traditional leaders along with third parties to decide for communities, without their consent.
Turok, who died at 92, was committed to fighting for the ideals of the left in South Africa. It is worth reviewing what his contribution to these ideals were in the final chapter of his life.
Nthikeng Mohlele’s novel Small Things (2013) provides a rejoinder to J. M. Coetzee’s Disgrace (1999), depicting a black man’s perspective on the failures of South Africa’s transition.
Filmmaker Akin Omotoso shows the Lagos that pushes the sane to insanity, the meek to thuggery and the lawful to anarchy.
One of the few books about photography to come out of the continent and where the majority of contributors are African and work on the continent.
Meleko Mokgosi’s multimedia works offer complex views of history and powerful critiques of pan-Africanism and the postcolonial moment we are currently living.