
South Africa’s crisis of representation
South Africa has had formal democracy for 30 years, but more of its citizens are tuned out of the democratic process.
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Miguna Miguna is a Kenyan activist and lawyer.
South Africa has had formal democracy for 30 years, but more of its citizens are tuned out of the democratic process.
A new film by French-Senegalese director Alain Gomis uncovers how American jazz giant, Thelonious Monk, was disrespected by French media at the end of his European tour in 1969.
A fascinating new graphic novel sets out to describe the effects of Nazi and collaborationist policies on the inhabitants of French-controlled colonies and protectorates of World War Two North Africa.
Set in newly independent Mali, ‘Dancing the Twist in Bamako’ is neither propagandistically praiseful of socialism nor does it present it through a wholly negative lens.
As xenophobic attacks and anti-black rhetoric ramp up in North Africa, it is useful to highlight (or remember) the fluid, intertwined histories of the Saharan region.
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While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.
Kenya’s cost of living demonstrations have as much to do with popular discontent as they do with the opposition capitalizing on frustrations.
Government’s around the world are talking about tightening their belts. Austerity is a common economic policy, but what is it actually? On the podcast, we discuss.
For democracy to succeed in Sudan, the process towards civilian rule must itself be democratized, rather than largely driven by top-down efforts.
A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?
South African con-artists Thabo Bester and Nandipha Magudumana are not good people. They’re also an outcome of a system that predisposes individuals to avarice, selfishness and deceit.
The events of May Day 1998 in Nigeria and lessons from Ola Oni on fighting for democracy in multi-ethnic societies.
In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.
The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.