
Why Should Colonialists be the Centre?
The Algerian novelist, Kamel Daoud, gives a name and a history to Albert Camus’s “The Stranger.”
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Paul Milchik is a pseudonym for the author of this piece. His name has been changed due to his status as an international student in the US during the second Trump administration, in a context where foreign students have been targeted for detention and deportation as a result of expressing pro-Palestinian views.

The Algerian novelist, Kamel Daoud, gives a name and a history to Albert Camus’s “The Stranger.”

Political dissent erupts in Ecuador as President Rafael Correa turns on the indigenous and poor people.

Kenyans choose to forget that the Kenya Land and Freedom army (also known as Mau Mau) did not fight for a monument. They fought for land.

Why the coup leader, General Gilbert Diendéré, is derailing the political transition in Burkina Faso.

Achille Mbembe argues that “decolonization” is in truth a psychic state more than a political project in the strict sense of the term.

This Weekend Music Break, No. 83, features eighteen pop songs that can’t be played on Nigerian airwaves. You can still listen on your phone or watch the videos on Youtube.

The preservation of nostalgia by evicted black residents of one of Cape Town’s now very white suburbs.

For the first time, an Ethiopian film, “Lamb,” was selected for the Cannes Film Festival. We interviewed director Yared Zeleke.

‘Black Magic Woman’, by Azizaa, from Ghana, is a feminist reclaiming of the sacred from Christianity.

The writer and musician Sabelo Mkhabela picks a selection of some beat tapes in his possession and writes about them for us.




One key to black style is the fact that, relative to white Americans, black people don’t have much room “for make believe.”

Lions and black people are not the same or even straightforwardly comparable. But it is true that something wants them both dead.

Why US President Barack Obama blundered by speaking out on LGBTQ rights in Kenya.

You’d never know it from reading the US media, but 15 political prisoners in Angola are still in jail.

The futuristic Lagos of Nnedi Okorafor’s sci-fi novel, ‘Lagoon.’
