
Her Zimbabwe
As the number of active female bloggers has increased, so too has the level of discourse around the dynamism and contradictions of life as a Zimbabwean woman.
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Paul Milchik is a pseudonym for the author of this piece. His name has been changed due to his status as an international student in the US during the second Trump administration, in a context where foreign students have been targeted for detention and deportation as a result of expressing pro-Palestinian views.

As the number of active female bloggers has increased, so too has the level of discourse around the dynamism and contradictions of life as a Zimbabwean woman.


This thing about a boat on The Thames named for the one Joseph Conrad sailed up the River Congo before writing Heart of Darkness.

What’s the story with The Very Best’s video for the single “Kondaine,” where they teamed up with an American NGO and shot it in very rural Kenya.

A film series in London explores what it would mean imbuing Africa with extra-terrestrial powers. We speak to the curators, Al Cameron and Nav Haq.

Can North Africans define their own futures, away from the inventions of old white men in think tanks in Washington DC?

‘Dear Mandela’ questions whether the history of South Africa’s ruling party obscures its corruption and immoralities. And what kinds of movements it would take to challenge the ANC’s power head on.

Yannick Létourneau talks about the genesis of his film about the Senegelese rapper, Awadi. Also, why so many political musicians come from West Africa.

Writing on depression in Africa is a rarity, so Binyavanga Wainaina’s book, “One Day I Will Write About This Place,” seems singular.

American media should focus on the real political struggles in Zimbabwe and not think that the government of national unity has brought Zimbabwe out of a period of violent political conflict.


Revisionism pervades popular culture in South Africa now, coloring our perception of the past.

We asked the Africa Is a Country “office” to comment on Nando’s new ad that is supposedly a comment on the widespread antiblack xenophobia in South Africa.

The limitations of working in the online space, given the small percentages of people with online access (despite the expansion of mobile technology).

Matheka, through his photographs, aims to instil in Kenyans, and eventually all Africans, pride in their cities and pride in their place within them.

Meaning is elusive in Cape Verde, but it does result in an existential limbo conducive to creeping, fretful madness.

Denzel Washington’s new thriller, “Safe House,” plays out in Cape Town, South Africa. You mostly can’t tell. That’s deliberate.
