
Colonial Sahara
The constant struggle of the Sahrawi to assert their identity in the face of a permanent occupation by Morocco.

The constant struggle of the Sahrawi to assert their identity in the face of a permanent occupation by Morocco.

Malians started arriving in New York City in the 1980s, numbering about 8,000 now. They also brought their music.

Congo needs fewer metanarratives from the West and more of Radio Tele Manika.

An interview with Samba Gadjigo, the late Ousmane Sembene’s longtime friend and official biographer about the resurgence of Sembene’s work.

In 2003, I was among the hundreds of thousands, possibly millions, who marched through London to

We are in a new phase, one that is characterised by a rejection of compromise as a tactic for managing democratic intercourse.

Most poor African immigrants to the US can't pull the “get out of black”-card when confronted with racism, something middle class Africans can pull.

Few works sufficiently recognize the truly transnational character of the eugenics movement, and how colonial Africa served as the launching pad for it.

After a bit of a vacation, our end of the week round up of 10 videos

In late August and early September, Facebook CEO Mark Zuckerberg visited Nigeria’s Silicon Lagoon and Kenya’s

The policing of black hair often begins at a very young age, in the most subtle and intimate spaces, long before you get to school.

Next time 'Die Stem' part of the South African anthem plays, the appropriate reaction is to sit down or take a knee.

Today, is the last official day of summer in our Northern Hemisphere headquarters of New York. So,

Journalism on and about the continent tends to veer between the extremes of neglect or stereotype on the one end, and touristic exoticism on the other.

An inescapable part of Nigerian social life is our lavish celebrations of important occasions, such as

The highlights of the 2016 Rio Olympics, including why Kenyan athletes were not wearing matching outfits at the opening ceremony.

It is eerie (and tragic) how relevant the themes of racial tension and structural violence of Spike Lee's 'Do the right thing' still is--both in America and South Africa.

Blood Orange and Sampha are two London-raised artists with Sierra Leonean roots, currently making waves on both sides of the Atlantic.

Events at South Africa's oldest agricultural college become an object lesson in how mastery over language upholds mastery over land.

Collapsing the binaries hard-wired into the logic and narrative of “uber-gentrification;” the latter representing the conquest of science over art, technology over soul and innovation over old.