After a bit of a vacation, our end of the week round up of 10 videos from or attached to the continent of Africa are back! Enjoy this catch up edition of the Weekend Music Break, curated by your resident praise DJ on our Youtube Channel.

Weekend Music Break No.99

1) First up we have a major global music event with the release of the video for the sonic collaboration between North American First Nations deejay group A Tribe Called Red, Iraqi-Canadian rapper The Narcicyst, and the entire world’s favorite local rapper Yasiin Bey. 2) Next, Al Sarah and the Nubatones release “Ya Watan” off of their latest album out on Wonderwheel Recordings. 3) I’m in awe of the choreography in the video for “Soudani” by Afrotronix from Chad, who is another Montreal-based artist showing the vibrancy of the independent and global music scene in Canada. 4) I’m really happy that Donae’o keeps pushing the UK Funky sound he helped popularize globally in Afropop directions. His “Party Hard” remains as one of if not the foundational song for the global Afrobeats craze. 5) And to illustrate that connection, Nigerians Naomi Achu and Skales come with “Gbagbe” an Afropop song tailored to the day. 6) Africa is a Country contributor Young Cardamom and his collaborator HAB provide the lead single from the Soundtrack to Disney’s Uganda flick Queen of Katwe. 7) Since this writer is Rio de Janeiro based, I have to represent with the biggest Funk tune of the season here, “Malandramente”. Will it’s ubiquity remain through our summer into Carnival? 8) Brazil also has elections this weekend, and while we made a hesitant endorsement for the fraught presidential race in the US, we can give a much more enthusiastic thumbs up to the campaign of Marcelo Freixo who is running for mayor of Rio de Janeiro. And as this campaign jingle shows, we’re not the only ones! 9) Élage Diouf is another Canada-based African artist, and shoots his video for “Mandela” an a return trip home, showcasing the beauty and vibrancy of his homeland. 10) Foresta, Royal Blu & Lila Ike show a different side of Jamaica than we’re used to seeing, a nice change of pace, from the regular image pushed to outsiders by foreign media. And that laid back R&B tune is a perfect way to close out this weekend’s music break, until next time!

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.