
5 Questions for a Filmmaker: Jahmil Qubeka
The filmmaker considers himself to be a filmmaker who happens to be African: He is driven by the art of storytelling; so his context is African but his film language is global.

The filmmaker considers himself to be a filmmaker who happens to be African: He is driven by the art of storytelling; so his context is African but his film language is global.

I am afraid of Ebola because it is an enemy of critical and balanced thinking about Africa, about disease, about our common humanity.

Legacies of colonialism and apartheid are etched into social dynamics of the town in the way its inhabitants occupy public space. The same goes for the university.


Differences can be harmonious and allow people to come together despite their background and roots.

The need to move the art discussion away from Darwinian interests in gorillas to the concern for new audiences for contemporary art in Africa.

The story of Ba re e ne re, now probably Lesotho's premier literary festival as told by those involved from its start in tragic events.


As a filmmaker, Matsetela wants to be an alternative voice, in a topography that’s filled with stories by others, like Django Unchained, defining black people.

“The metaphysical properties of hip-hop, the metaphors, helped me imagine a better world."

If "Exhibit B" truly offered the profound critique of slavery and colonialism its creators claimed, why the outrage? Why object to confronting silenced, gazing human “tableaux”?

For a number of reasons, the LGBTQ community in Botswana experiences less severe social and institutional backlash than elsewhere in Africa.

How an an annual, independently-run series of events founded in 2011 in the Eastern Cape have propelled the genre in that South African province.

What if the author, a Dutch blogger, had the chance to edit an "Africa"-edition of a prominent European magazine.

Hipster's Don't Dance's 'Top 5 World Carnival Tunes' for September 2014.

Egypt has a sexual harassment problem. Two young women decided to make a film about it.

While hip-hop can still connect us to our higher selves, its mainstream adaptations reveal that it is inherently human and not free from flaws.

Alessandro Spina produced one of the greatest indictments against colonialism and jingoism, as well as a tribute to the Mediterranean’s cosmopolitanism.

We asked the participants at a symposium in Austria on European Africans to reflect on what an Afropean is. We edited it into a short video.