
We’re not Monkeys or Panthers
The rap music of Z'Africa Brasil — composed of rappers Gaspar and Funk Biu, DJ Tano and producer Pitchô.

The rap music of Z'Africa Brasil — composed of rappers Gaspar and Funk Biu, DJ Tano and producer Pitchô.

An interview with hip hop scholar, Adam Haupt, about hip hop pioneers P.O.C., the viral rappers Die Antwoord and the state of contemporary South African hip-hop.

Americans need recognize if they want to do good in Africa they need to partner with Africans or work in the US on policies that impact negatively Africans.

The fate of World Cup draws has fostered an unlikely rivalry between Ghana and the United States.

An American graduate student consciously attempts to preempt some of the problematic and ignorant queries from relatives back home.

Dak'Art is the only art contemporary biennale of its scope with a mandate to include all artists of African descent.




Part 4 in a series of four posts by Ed Pavlic to commemorate what would have been James Baldwin's 90th year.

African champions, Nigeria, go into the 2014 World Cup with the best chance of making a big impression.

The long histories of Africans in South Asia, including the case of Africans arriving as slaves in India and whose descendants are still in India and Pakistan.

Hip-hop in Africa is diverse — no single sound defines it. Electro-chaabi, mbalax-influenced rap, and house-sampling styles all reflect the continent’s broad musical scope.


Interview with curators Sylviane Diouf (Schomburg Center) and Joaneath Spicer (Walters Art Museum) about the African presence in Western and Asian art.


The third in a series of four posts to commemorate 90 years since James Baldwin's birth.