An ad for multinational Orange to grab customers in a Middle Eastern country for some strange reason features a weird narrative of Africans happy that their homes get flooded. What does this have to do with the Middle East? (Or with Africa, for that matter?)

Perhaps all the commercials around the World Cup in South Africa has now made  ‘Africa’ such an empty sign  that it can just be appropriated and used whenever some feel-good effect is desired.  It’s becoming a recipe: take a product, add African kids, bare feet, smiles, sunshine, glamourized poverty – and voila, there you go.  Your product will change the world.  For the better, of course. Because you care.

-Herman Wasserman

 

Further Reading

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.