HBO has selected the documentary, “Courting Justice”, by American filmmakers Ruth Cowan and Jane Thandi Lipman (Cowan created, and Lipman directed the film) as a competition finalist in the Martha’s Vineyard African-American film festival.

The film is about the experiences of female, especially black female judges, in South Africa’s highest courts (that’s Supreme Court of Appeal Judge Mandisa Maya in the picture above):

“Courting Justice” features seven South African women judges, all of whom were New Democracy appointments. They serve on the Constitutional Court, the Supreme Court of Appeal and the provincial High Courts. They speak to us while at work in their court rooms and chambers, at home and in the communities in which they were raised. Courting Justice is their story. It is a very personal story, revealing the challenges they confront working in a previously all-male institution [in 2008, only 18% of a total of 200 judges countrywide were women-Sean] and the sacrifices they make to effect the Constitution’s human rights promises.

Judging from the supplemental reading material on the film’s website (like this review in a South African newspaper), this is sure to be an interesting interrogation into the process of over-hauling racist institutions as well as their patriarchal frameworks.

Here’s a 10 minute clip from the film:

[youtube=http://www.youtube.com/watch?v=6rT85-zhnWY&w=500&h=307&rel=0]

The festival will take place August 11-14. Find the screening schedule and other festival information here.

Hey, everyone should be going to the Vineyard.

Allison Swank

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.