This is a time when the fruits are growing out of something that was sown a long time ago. It’s not like these are the fruits of just liberation. Those kids who grew up so fucked up, the people who were tortured in the ’70s and ’80s—they’re 30 now. That’s where a lot of the crime also comes from—people who have been like, dehumanized, and they feel no hope. Hopeless. If you were to kill everybody and start anew, then stuff would be anew and then you could have hope for a new day. But the fact is, those people are still alive.”

25 year old Soweto-born artist and sometimes Malmö, Sweden resident, Spoek Mathambo (also known as the “Post-Apartheid, Post-Hip Hop Posterboy“), has views. This is Mathambo speaking in an interview with hipster music culture magazine, The Fader.

Further Reading

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.