Fofo-born Shokanti released a video this week in celebration of Cape Verdean Independence (slipping in those famous words by Amílcar Cabral at the very end). Above. You’ve noticed our blogging went into holiday mode but there’s always time for music. So 9 more below. Brazilian Kamau’s 21/12 finally gets a video; not surprisingly it’s another tribute to skate life:

Warongx (from Khayelitsha) live at Tagoras (Observatory, Cape Town; H/T Sixgun Gospel):

Ghana pop for northern summers. 5Five’s ‘Bossu Kena’:

And some Pan-African pop from Ruff N Smooth:

There seems to exist a standard script for how to record a music video as a diaspora artist on a visit somewhere on the continent (in this case, Abidjan), as Soprano and R.E.D.K. confirm:

And so do Sexion D’Assaut.

Neneh Cherry knows her MF Doom classics (H/T Sarah):

Cameroonian Jovi throws Tabu Ley Rochereau’s ‘Pitié’ in the mix:

True, Youssoupha did that better.

A remix from a different kind: Brussels-based débruit “sampling lost African VHS and reinterpreting discovered African melodies and rhythms.” Seriously though, his music is a lot more exciting than the selling line suggests:

And lastly, via Ricci, “Senegal’s political hip hop for effect”. Red Black:

Further Reading

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.