In today’s news, the mainstream Brazilian media try their hardest to illustrate that protests against, and calls for impeachment of sitting Brazilian president, Dilma Rousseff (for her proximity to the Petrobras scandal), are not solely from the disgruntled “white elite” (one commenter said that the protests looked like a World Cup matches — another that the protests were just a scheme to unload all the overstocked Brazilian National Team gear after their disastrous exit from the tournament.)

Now, we here at Africa is a Country are aware that the media tends to sensationalize racial and social divides in Brazil, however we couldn’t help point out that with just a touch of irony, one lucky contestant (I mean c’mon…) was able to gain his fifteen minutes, by answering the call to fulfill the Brazilian media’s wildest fantasies.

Translation: “White elite against Dilma”

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.