
Only the soil can free us
Why agricultural change is political change. Take the case of farmers in Burkina Faso.
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Golda Gatsey is a freelance writer and customer relationship manager.

Why agricultural change is political change. Take the case of farmers in Burkina Faso.

Can transitional justice initiatives achieve their ambitious agenda of combatting gender based violence?

The major problem with the term “decolonization” is its status as empty signifier, argues South African psychologist Wahbie Long.

A critical look at some of the problematic assumptions that defined African literature during the decades of its inception.

A Dutch woman of Ugandan descent reflects on growing up with Zwarte Piet.

An interview with Berlin-based Sierra Leonean electronic musician Lamin Fofana on Europe’s longtime fascination with African culture.

A border crossing mix of Afrobeats and Zouk and an interview with Berlin-based Sierra Leonean electronic music producer, Lamin Fofana.

Brazil is the world’s second-largest African nation, but just elected an outright rightwing racist as president. It can’t be good for the continent.

What does the election of far-right President Jair Bolsonaro mean for Brazilians of African descent?

Caricatures aside, how do President Yoweri Museveni and the National Revolutionary Movement state reproduce power?

Media studies scholar Sharon Sliwinski asks whether dreaming can be recast as a vital form of resistance to political violence. A review of her book.

In Malawi, artists, especially poets—usually associated with progressivism and intellectualism—are the vanguard of a new homophobia.

“Berlin isn’t Germany. Just like that website you write for—it’s really its own country.”

What has the world’s Moët drinking capital and a world leader in global indices of private jet ownership to do with left politics?

The capacity to decide who can move, who can settle, where and under what conditions is increasingly becoming the core of political struggles.

Any deviation from economic orthodoxy in South Africa is made coterminous with the most extreme cases, like Zimbabwe and Venezuela.

Kenya’s prisons are in serious need of reform. Opening the door to private interests is not the solution.

The curators of the Weltkulturen museum of ethnography in Frankfurt, Germany trace the origins of objects that ended up in their collections, and ask if they were: COLLECTED. BOUGHT. LOOTED?

Harlem rapper Sheck Wes’s star rises in the shadow of Dapper Dan and Cheikh Amadou Bamba.

Invisible City [Kakuma], a film about Kenya’s largest refugee camps, seems keen on making a point but is anchored on unsteady ground (with some shitty translation).