
Three Myths about Mandela Worth Busting
The Nelson Mandela encountered by former antiapartheid activist Tony Karon in American media is so unrecognizable.
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Golda Gatsey is a freelance writer and customer relationship manager.

The Nelson Mandela encountered by former antiapartheid activist Tony Karon in American media is so unrecognizable.

The Mandela Capture Memorial in Howick, Kwazulu Natal speaks eloquently to the essential truth: that in South Africa, some families mattered more than other.

The writer, originally from Cape Town, remembers Nelson Mandela’s impact on his life.

The Dutch can’t hide how racist the “tradition” of the blackface character, Zwarte Piet, is. Here we parody their rationalizations.

Pierre Joris and Habib Tengou edit a book about the multiple beginnings, traditions and genealogies in the literatures of the many languages of the region, and the region’s diasporas.

An Adieu to Tabu Ley Rochereau, the master rumba singer-songwriter from the Democratic Republic of the Congo.
An African refugee in Britain seeks assistance. He is thrown behind bars, often shackled. He fasts in protest. He is shackled and shipped out on the next charter flight.

Racist representations of Africans are common in South Korea. Where does it come from? Why do South Koreans behave this way?

The Ghanaian dance music craze has finally arrived in the United States after sweeping Europe and the continent. Will it catch on here?

On the rather extraordinary claim that white South Africans have been politically and economically marginalized since the inception of majority rule in 1994.

A rare and informative glimpse into a situation and part of the world that normally only receives minimal, lazy, and inaccurate coverage.

Bombino, the Tuareg musician from Agadez in northern Niger, wants to show the world the multiple, and often joyful sides of life in the region.

Is it a good idea to separate African urbanites from the rest of their cohort? How is that even constructive, wonders the writer of Norwegian and Tanzanian descent.


Jimmy Nelson’s photographs are deliberately constructed to capitalize on his own vision of these groups.

Since 1999, Contreras has documented, via documentary films, radio programs and photographs, dramatic changes to the Sahara.