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We announce some major changes at Africa Is a Country. A director of operations and a new editor.
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Marjorie Namara Rugunda is a writer, researcher, and PhD student at the University of British Columbia.
We announce some major changes at Africa Is a Country. A director of operations and a new editor.
On our annual publishing break, we’ll be pondering what the responsibility of the African intellectual is today.
In Kenya, political elites across the spectrum are trying to sell off the country for themselves—capitulation is inevitable.
Two miles from the White House, ‘Black Land News’ forwarded a bold vision of political, economic, and cultural autonomy inspired by African decolonization struggles.
How does it feel to be gay in an environment where homophobia is mundane and rampant, and where gays are silenced, ridiculed, and assaulted in everyday life?
Asher Gamedze on his new single ‘Wynter Time,’ and the struggle of oppressed peoples against dispossession, exploitation and alienation.
Since 2019, two separate political processes developed simultaneously in Sudan: one at the state level and the other at the grassroots. Today’s war originates in the predominance of the former over the latter.
Once associated with socialism, the language of participation has been co-opted. How was this radical idea depoliticized?
Kayo Chingonyi’s latest poetry collection is a powerful meditation on the cycle of infection, death, and mourning wrought by HIV.
In the 1960s, two African nationalist magazines shared a name—but declassified files reveal that they were on opposite sides of a literary Cold War.
From 2024, the Grammys will feature an award for Best African Music Performance. Is the category a positive step embracing the global popularity of African music, or another homogenizing exotification?
In France, Black and Arab minorities are excluded from the country’s liberal values—and then treated as threats to them.
In their debut EP, the Johannesburg-based experimental jazz group iPhupho L’ka Biko offer a message of hope, resilience and solidarity while drawing from South Africa’s black jazz heritage.
A new film by Ery Claver probes the fraught relationship between China and Angola, revealing their differences—and surprising similarities.
Um novo filme de Ery Claver investiga a tensa relação entre China e Angola, revelando suas diferenças—e surpreendentes semelhanças.
The pathologization of ‘migrants’ in Tunisia and France shows how race and poverty shape our understanding of belonging.