
Luanda Can Cook
In a rapidly changing city like Luanda, it is important to be able to catalogue all of its eating establishment, or at least those that our wallets and stomachs allow.
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Miguna Miguna is a Kenyan activist and lawyer.
In a rapidly changing city like Luanda, it is important to be able to catalogue all of its eating establishment, or at least those that our wallets and stomachs allow.
Townships and informal settlements are not dump grounds but living breathing communities where the residents are tired of being treated like shit.
Even after the Mau Mau case the British will never stop kidding themselves about the crimes of empire.
In her work, Ellen Gallagher defiantly challenges linear perspective to redress what fellow African-American artist Theaster Gates has called “the African non-archive.”
What precisely is new about new African writing and what makes it different from what we have seen before?
Discovering that history lessons are best learned when you look up whilst walking through the small streets of the Netherlands’ commercial capital.
What it means to belong in post-apartheid urban space and how to reckon with history.
An Interview with Abderrahmane Sissako, director of films like ‘La Vie Sur Terre,’ ‘Rostov-Luanda,’ ‘Waiting for Happiness’ and ‘Bamako.’
That South Africa has a “Pro Twerk Team” may seem like a great opportunity to see twerking from a new, non-American perspective. Or to throw shade.
Why the ruling MPLA wants to control how we remember the murder of dissidents killed right after independence.
Germany’s a new campaign to educate Germans about what development policy is, has little to do with Africa and more with local electoral politics.
After weeks of promising you a new design, we’re back with a brand-new and improved blog. This is a big day for us.
We’re updating our design and will be back soon with a fresh new look. Stay tuned.
Weekend Special: The premiere of Mahamat Saleh Haroun’s new film “Grigris” and the cover art for the Dutch translation of Binyavanga Wainaina’s memoir, among others.
Western media’s repetitive focus on white South Africans distorts reality, ignoring data on poverty and crime disproportionately affecting black citizens, fueling a misleading, provocative narrative.