
6290 Articles by:
Miguna Miguna
Miguna Miguna is a Kenyan activist and lawyer.


The Other African election: France’s First Round
Both of the front-runners, incumbent Nicolas Sarkozy and Socialist François Hollande, have run against FrançAfrique. Easier said than done.

Mahesh Shantaram’s Addis Ababa Diary
Images of Ethiopia by Indian photographer Mahesh Shantaram

In Praise of Jeffrey Gettleman’s Pulitzer
Pulitzer awarded Gettleman $10,000 for “his vivid reports, often at personal peril, on famine and conflict in East Africa.”

Goldman Sachs’s Angolan interests
When the Financial Times commits an entire article to topics Angolan, it fills my Google news alert for a week.
Friday Bonus Music Break, N°7

Soviet cinema and African filmmaking
Abderrahmane Sissako’s oblique suggestion of what a ‘socialist friendship’ might be in his first film, “October” (1993) set in a then-declining Soviet Union.

The impotence of the political bourgeoisie
Ousmane Sembene’s “Xala” (1974) is a powerful political narrative. At times edging toward the surreal, at others an acute depiction of the complexity of the freshly independent Senegal.

Why is so much coverage of the Mali crisis so bad?
We mean the kind of bad that comes from being caught in a Beckettian loop of either saying nothing at all or having nothing to say.

The Swedish Golliwog Cake
It’s a brilliant staging of structural racism and post-colonial existence by the artist Makode Linde.

The Swarm of Insects Destroying the City
Interview with South African writer Henrietta Rose-Innes’s about her novel, “Nineveh.”
19th New York African Film Festival: Shorts!

The civilizing mission of the white man
The recent controversy around Günter Grass’s criticisms of Germany’s arms trade with Israel is an interesting post-script to the Namibian genocide controversy.

The War in Mali’s North–To What Effect?
The rebels–that is, the MNLA and their disavowed and dangerous allies–hold Mali hostage.

Exploring rootlessness and confusion
The director, Frances Bodomo, originally from Ghana, talks about her film “Boneshaker” and African globalization.

The elderly, the blind and people with albinism
In which category would the South African photographer Pieter Hugo place himself? What do they stand for or what his photographs can and cannot tell.