
Colonial accountability in transition
The mass atrocities of the 1899 French invasion of what is Niger today are finally being treated with the gravity and consequence they deserve in Western popular histories.
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Miguna Miguna is a Kenyan activist and lawyer.
The mass atrocities of the 1899 French invasion of what is Niger today are finally being treated with the gravity and consequence they deserve in Western popular histories.
Street names are political weapons. They produce memories, attachment and intimacy—all while often sneakily distorting history.
We have to become more open to the possibility that what our society needs is not better policing, but less. And ultimately no policing at all.
In November 2017, Robert Mugabe was toppled in a coup. Amid this epochal change, life—and cricket—simply went on for Zimbabweans, who are still in search of a better future.
Will Ethiopia’s civil war blow up its dream of a single state, and in the process, blow up Western notions of statebuilding?
The documentary, Rumba Kings, offers a commendable and tireless argument for both an intangible cultural heritage case and a centering of the Congolese way.
On this week’s AIAC Talk: Haiti is not down on its luck, it is deliberately under-developed by Western powers.
Colonialism should take a lot of blame for anti-queer attitudes in Africa. But missing is a frank engagement with how African indigenous cultures also fuel anti-queer attitudes.
Sudanese women took part in the revolution in large numbers for the same reasons they are now part of the resistance against this treacherous coup: Their human rights are at stake.
The writer, from Cape Town, reflects on the life of her working class father, who like her friends’ fathers worked tough jobs for low pay and hid his vulnerabilities.
A new book on policing in South Africa wants to go beyond the usual call for reform. But adapting literature tuned for reform to the task of abolition is a difficult needle to thread.
This week’s episode of AIAC Talk is a replay of the launch of the latest issue of Amandla! magazine, a South African publication advancing radical left perspectives for change.
Plus d’une décennie après la vague mondiale d’acquisitions de terres à grande échelle, elles ont toujours des conséquences néfastes pour ceux qui dépendent de la terre comme fondement de leur vie.
How the International Union for Conservation of Nature Congress continues be a farce, and perpetuates a fake conservation in Africa: basically the interests are just commerce.
In Mexican-Ethiopian filmmaker Jessica Beshir’s Faya Dayi, khat is more than an important export product in a capitalist economy; she captures khat’s roles and meanings in everyday Harari life.
The Jamaican born filmmaker, Lebert Bethune, who was close to Malcolm X, made two films that deftly explored Black identity at the end of the 1960s.