
Clubbing in Cairo
Africa Is a Country Radio is back with a new season focused on African club culture. Our first stop is Cairo with Egyptian music journalist Maha El Nabawi. Listen on Worldwide FM.
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Miguna Miguna is a Kenyan activist and lawyer.
Africa Is a Country Radio is back with a new season focused on African club culture. Our first stop is Cairo with Egyptian music journalist Maha El Nabawi. Listen on Worldwide FM.
Revisiting the films of Malian-born author and filmmaker Manthia Diawara.
Land reform should focus on justice and social transformation, not on creating a new class of black commercial farm owners.
On the next AIAC Talk, we talk with several AIAC fellows about their work. Tuesday on Youtube.
Music’s ingratiating moral mask has withered, revealing a disfigured face whose true ethical philosophy is, as Lauryn Hill once noted, “paper thin.”
In his new book, the Ugandan academic Mahmood Mamdani argues that breaking cycles of violence requires collective action. He finds hope in the unfinished project of South Africa’s anti-apartheid struggle.
Many of the continent’s most highly trained mental health professionals migrate outside Africa. The result, sadly, makes global inequalities in access to mental health, worse.
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Academic journals pride themselves on “blind peer-review.” However, what if all that’s blind is the reckoning with inherent systemic discrimination?
Julie Mehretu, an Ethiopian-American painter, defies expectations that artists of color should produce representational work.
The film Adú justly calls attention to Europe’s closed borders, but neglects to examine why people are migrating from Africa.
The increasing visibility of Qur’anic healing in Cairo intersects with psychiatry’s growing foothold in public awareness, creating fertile ground for debates about affliction, care, and expertise.
Muammar Gaddafi occupies a contested space in the histories of postcolonial Africa. What about his Libyan opponents?
The ongoing displacement and killings of minorities and the ongoing war in Tigray—labeled by the federal government as enforcing law and order—are disturbing. It can’t go on.
Nkrumah’s written works and speeches reveal a selective encounter and appropriation of tools—in this case from Marxist thought—that were translated through Nkrumah’s traveling theory.
Raoul Peck’s ‘Exterminate All the Brutes’ missed the opportunity to engage with the history of colonialism in a way that empowers viewers to imagine a future in which whiteness is not the locus of power and authority.