
Precarious Somali boyhoods
Somali-Canadian writers lay bare the harsh realities of being Black, migrant and Muslim in multicultural and ostensibly tolerant Toronto.
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Miguna Miguna is a Kenyan activist and lawyer.
Somali-Canadian writers lay bare the harsh realities of being Black, migrant and Muslim in multicultural and ostensibly tolerant Toronto.
Tanzanian universities are beginning to tackle “sextortion.” Will new policies and attention to sexual harassment on campuses make a difference?
How African literature is taught reveals a depressing lack of knowledge concerning North African writers and their works.
On the second anniversary of Nigeria’s African Action Congress party, it is time to take stock of its track record and political prospects.
The new short film “Ifé” is a moving story about the delights and difficulties of human relationships.
Africa should demand a politics where carbon removal targets and techniques are set by community decisions rather than by market forces.
The make-believe consensus built around local government elections continues as always to ignore the views and expectations of Angolans. But the people are organizing.
O consenso aparente construído pelo regime em torno das eleições autárquicas continua, como sempre, a ignorar as opiniões e expectativas dos angolanos. Mas a juventude angolana está a mobilizar-se.
Journalist Vincent Bevins’ new book, The Jakarta Method, shows that some of the 20th century’s ugliest episodes are still unfolding.
This week’s livestream, focuses on Malawi, as well as feminist justice. Stream it live Tuesdays on Youtube, Facebook, Twitter. Subscribe to our Patreon for the podcast archive.
The burial of African languages by Africans themselves has ensured our total immersion into colonial culture.
Beyoncé, ‘The Lion King,’ ‘Coming to America,’ and the complicated politics of African representation in Black American cultural production.
Three prominent curators on how they are (re-)situating their respective curatorial practices in relation to the political moment.
It took time to digest Beyonce’s Black Is King. Conclusion: it fails to deliver us. Instead, it’s just another capitalist construction of the world.
How Rwandan history is told—and who does the telling—is important as it determines who is able to participate in conversations about the past.
Francophonie has served to obscure the harms caused by neocolonial projects in Africa, projects that are themselves a reflection of the racism within France’s borders.