
Does it matter where an African film ends and begins
The eleventh edition of African films we’d like to get on people’s radars. We can’t guarantee that these films will be available everywhere.
6436 Article(s) by:
Paul Milchik is a pseudonym for the author of this piece. His name has been changed due to his status as an international student in the US during the second Trump administration, in a context where foreign students have been targeted for detention and deportation as a result of expressing pro-Palestinian views.

The eleventh edition of African films we’d like to get on people’s radars. We can’t guarantee that these films will be available everywhere.

Please, no more articles claiming to discuss African issues, but which are just rock stars turning up at US universities spouting nonsense.

The pianist, Kyle Shepherd, loathes labels, especially of him as the architect or savior of Cape Jazz, the music associated with Cape Town.

Children’s Radio Foundation’s shows are a testament to children’s capacity to be agents for change and to confront critical community issues themselves.

Tendai Maraire of Shabazz Palaces breaks down his ‘Pungwe’ mixtape for us.

Can young Angolan activists inspired by Angola’s underground rap scene take on a political elite that has ruled for decades?

In this Weekend Bonus Music Break, No.23, features musicians as diverse as Ghanaian-Swiss duo, OY, to familier sightings on Africa Is a Country: Spoek Mathambo and Sinkane.

The American artist says he wants to tackle Françafrique; to turn it on its head. But in the process, he can’t help repeat stereotypes and artificial divisions.

Art South Africa me asked to pick my “Best Six;” basically my “favorite (six) things from the last six months.”

South African jazz singer Sathima Bea Benjamin’s life complicates jazz history and shows how Africans reshaped American jazz in the 20th century.

In Alain Gomis’s “Tey’, ‘Aujourd’hui,” a man lives the last day of his life.

A Dutch comedy about an interracial relationship may shape Dutch views of black people there in very negative ways from which they may not recover for a while.

Colombians and outsiders continue to associate Afro-Colombians largely with dance or music. This is a problem.

Director Andrew Okoko’s “The Assassin’s Practice” tampers with the tempo of melodrama. It’s also Nollywood’s response to Soderbergh’s “Bubble.”