
Golden Theater or Gutted Whore-house
The debates about the misrepresentation of Africa in the international art community as well as privileging diaspora artists over those working in the continent, rages on.
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Paul Milchik is a pseudonym for the author of this piece. His name has been changed due to his status as an international student in the US during the second Trump administration, in a context where foreign students have been targeted for detention and deportation as a result of expressing pro-Palestinian views.

The debates about the misrepresentation of Africa in the international art community as well as privileging diaspora artists over those working in the continent, rages on.

It’s a shame that a player had to suffer from a heart attack to provoke feelings of belonging about him as a refugee and immigrant. It says something about Britain.

Youngsta built a reputation on doing “straight up Cape Town hip hop,” but his recent output suggests he is now appealing to mainstream audiences.

Spanish media is skittish about reporting their country’s discriminatory immigration policy. If they do, they mainly cover its positive exceptions.


In Angola, the ‘pseudo-event’ is all the rage: small in meaning but enlarged by Facebook and cell phones.

A review of UK media coverage of the viral politics of the misguided #Kony2012 social media campaign.


Zachary Rosen, a former Peace Corps official, describes his favorite photographs to us.

Oprah, like Kristof, turns a personal desire to help sufferers of abuse into a more than acceptable African development program.

The New York Times East Africa correspondent can be summarized in three self evident points.

A number of comedy videos lampooning Kony 2012 are making the rounds on social media. Some are funny, some are asinine.