The institution of Alex Magaisa
Magaisa, who died this month, set agendas, and demanded the highest standards from the political and intellectual classes in Zimbabwe.
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Paul Milchick
Paul Milchik is a pseudonym for the author of this piece. His name has been changed due to his status as an international student in the US during the second Trump administration, in a context where foreign students have been targeted for detention and deportation as a result of expressing pro-Palestinian views.
Cricket, lovely cricket
This month on AIAC Radio, Boima invites Liam Brickhill to talk cricket, select some cricket related tunes, and glance at the game from the viewpoint of Zimbabwe.
More than a national pastime
Nigeria did not qualify for Qatar 2022. The troubles in the country’s football administration reflect the crises in the nation’s political culture.
The promise of platinum
Platinum holds promise for a net-zero future. But the promise of platinum cannot be founded on the broken promises endured by those who live in its spaces of extraction.
What is it about the Kenyan postcolonial state?
The lesson from political economist Rok Ajulu’s academic work and activism: it’s not enough to change the “tenants,” but fight to change both the “state” and all of its houses.
The beginning is always the body
The artist, Frida Orupabo, explores the social world around her via her large collages. Curator, Elvira Dyangani Ose, spoke to her about her work.
Sampa The Great’s new chapter
Zambian artist, Sampa the Great, returns to the stage in Australia with “An Afro Future.” In an interview, she talks reconnecting with her roots and redefining the future.
The UK and migrant men from the Global South
To understand why it is single young men that are the primary target of Britain’s deportation of asylum-seekers to Rwanda, we need to revisit the country’s history.
It takes a team to raise an athlete
Race, class and the story of struggle and sacrifice in the making of South Africa’s next generation of track and field athletes.
What’s the matter with private equity in Africa?
The nature of the business makes it hard to hold investors accountable when they do wrong.
Navigating queer utopia
A new book presents an empirical challenge to the myth of South Africa as the “pink capital” of Africa and contributes to building an archive of queer, African, and religious narratives.
When Egypt was Black
Pharaonism, a mode of national identification linking people living in Egypt today with ancient pharaohs. It emerged partly as an alternative to colonial British efforts to racialize Egyptians as people of color.
The body in flight
The 14th edition of the Dakar Biennale puts up the first significant survey of Senegalese artist El Hadji Sy’s work in the city.
Africans in China are on the move
Discriminatory COVID policies, increasing cost of living, and diminished purchasing power in China have pushed some Africans to return home, but others are not leaving just yet.
Milking the dream
The 2022 Venice Biennale shows that despite the lack of investment from African nations or the occasional hijacking by mercenary curators, African artists are finding ways to be seen.
Where, and Why, is North Africa?
The centrality of race, colonialism, political projects around transnational identities, and the social sciences, all had effects on how the Middle East as a region came to be.
Colonial Vice at the Venice Biennale
At the world’s most prestigious art exhibition, all is not well when it comes to relative newcomers from the African continent.
The political economy of “decolonization”
Decolonization in Kenya may be permitted in its universities if the Kenyan government receives a grant to promote it, or if foreign donor will sponsor it.
A crop that changed the world
The story about peanuts, and the people who grew it at the margins of an empire in 19th century West Africa, then the most abundant source of the world’s most important oilseed.
Stellenbosch University’s intractable racism problem
The University of Stellenbosch in South Africa treats racism as an issue that must be soft-soaped to avoid alienating white people.