
Art has never been innocent
Paulo Nazareth’s latest show in Berlin follows the cunning architecture of power, from Germany to Brazil and across continents and epochs.
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Tajla Vale is an art critic and researcher whose work centers feminist and decolonial approaches to embodiment. She is currently a PhD candidate at Universidade de Brasília and a guest researcher at Hochschule Hannover.

Paulo Nazareth’s latest show in Berlin follows the cunning architecture of power, from Germany to Brazil and across continents and epochs.