
Omar Blondin Diop and Issa Samb’s Senegal
Activist Blondin Diop and artist Samb are exemplars of Senegal’s post-independence promise and crisis, marked by the global uprisings of May 1968. Mustapha Saha was a friend to both of them.
Activist Blondin Diop and artist Samb are exemplars of Senegal’s post-independence promise and crisis, marked by the global uprisings of May 1968. Mustapha Saha was a friend to both of them.
May 21 marks the anniversary of the writer and commentator Binyavanga Wainaina’s untimely death in 2019. He was 48.
On this month's AIAC Radio, Boima celebrates all things basketball, looking at its historical relationships with music and race, then focusing on Africa's biggest names in the sport.
If generations of African youth are to prosper post-pandemic, a fundamental and vital shift in educational context and content is needed.
Late Kenyan President, Mwai Kibaki, could be a political heartbreaker and a great disappointment when he moved smoothly on from a cause.
Maky Madiba Sylla is a militant filmmaker excavating iconic Africans whose legacies he believes need to be known widely—like the singer Laba Sosseh.
There is a remarkable connection between Mali and South Africa, dating back to the liberation struggle, and actively encouraged by the author’s work.
Rwanda’s proposed refugee deal with Britain is another strike against President Paul Kagame’s claim that he is an authentic and fearless pan-Africanist who advocates for the less fortunate.
Yunxiang Gao’s new book takes a fresh look at connected lives of African American and Chinese leftist activists, artists and intellectuals after World War II.
The world has changed significantly since the 2008 financial crisis. But the roots of today’s disorder, stretch further back than we think. This week on the AIAC Podcast, we discuss.
In the early 1970s, Walter Rodney, expelled from Jamaica, took a post in Tanzania. In Leo Zeilig’s new book, he captures those exciting, but also difficult years and how it formed Rodney.
The cultural boycott of Russia turns to the flawed precedent of apartheid South Africa for inspiration, while ignoring the much more carefully considered boycott of official Israeli culture by the BDS Movement.