Guggenheim’s map–Where is the rest of Africa?
The recent announcement of the Guggenheim Foundation’s new “Guggenheim UBS MAP Global Art Initiative” bears all
Culture
Shameless Self-Promotion: Chief Boima’s Many Identities
If you’re unfamiliar with my musical work, OkayAfrica.com recently did a profile on me for their web TV
The ‘Swedish Cake’ artist explains himself
Makode Linde calls his approach Afromantics: it use the blackface to show the connection between stereotypes, part of the same system of oppression.
Parisian Africa
Younger generations of artists, many immigrants of African origin, are reconfiguring the arts in France on their own terms.
Friday Bonus Music Break, N°7
Nowadays we’re doing multiple #musicbreaks on Twitter and Facebook when the spirits move us. We figured we’d
Soviet cinema and African filmmaking
Abderrahmane Sissako’s oblique suggestion of what a ‘socialist friendship’ might be in his first film, "October" (1993) set in a then-declining Soviet Union.
The impotence of the political bourgeoisie
Ousmane Sembene's "Xala" (1974) is a powerful political narrative. At times edging toward the surreal, at others an acute depiction of the complexity of the freshly independent Senegal.
The Swedish Golliwog Cake
It’s a brilliant staging of structural racism and post-colonial existence by the artist Makode Linde.
The Swarm of Insects Destroying the City
Interview with South African writer Henrietta Rose-Innes's about her novel, "Nineveh."
19th New York African Film Festival: Shorts!
Short films sometimes get a bad rap — they’re considered a “learning exercise” for film school
The civilizing mission of the white man
The recent controversy around Günter Grass’s criticisms of Germany's arms trade with Israel is an interesting post-script to the Namibian genocide controversy.
Exploring rootlessness and confusion
The director, Frances Bodomo, originally from Ghana, talks about her film "Boneshaker" and African globalization.
The elderly, the blind and people with albinism
In which category would the South African photographer Pieter Hugo place himself? What do they stand for or what his photographs can and cannot tell.
Film Review: “The Education of Auma Obama”
Republican party propaganda wants to paint President Barack Obama’s Kenyan family as alien to America. In
The 19th New York African Film Festival: “Relentless”
“Relentless” is fundamentally a film about Lagos. About how director Andy Okoarafor sees it. In Okoarafor’s
The best sports films have no play in them
Tunde Kelani's "Maami," a tale about a former professional footballer, is bold and stylish film-making, and it deserves a wide audience.
The 19th New York African Film Festival: ‘Playing Warriors’
It’s not hard to see why Rumbi Katedza’s first feature has been described as a Zimbabwean
The 19th New York African Film Festival: ‘How to steal 2 million’
In South African director Charlie Vundla’s “How to Steal 2 Million,” Johannesburg is equated with “a
Walking on water
From the Otelo Burning soundtrack (we still owe the soundtrack a review), here’s ‘Walk on Water’
The World of Congolese artist Pume Bylex
In the introduction to The World According to Bylex, Filip De Boeck and Koen Van Synghel