• Boima Tucker

• Orlando Reade

Science fiction as genre offers the opportunity to African artists to consider Western cartographies of the future as fictions in their own right.

• Bukola Afolayan

Old Oshodi highlighted the complexity of the city, showcasing the ingenuity of the people of Lagos in their use of the informal market in making a living.

• Dylan Valley

Reading Yewande Omotoso's novel "Bom Boy," just when you think you’ve figured the characters out, the author opens them up a little more, and our perceptions change.

• Basia Cummings

A film about a Sudanese migrant to America explores a general fact of contemporary existence.

• Sean Henry Jacobs

We don’t know why the South African photographer decided to apply to become "coloured" under Apartheid's racial classification laws.

• Dylan Valley

• Basia Cummings

A remarkable amount of new films in recent months have used migration, detention and illegal sea crossings as their subject matter.

• Basia Cummings

The film, "Come Back, Africa," first released in 1959, challenged how white liberals imagined black people or tried to shape their struggles in South Africa.

• Tom Devriendt

• Tom Devriendt

• Tom Devriendt

• Jogchum Vrielink

Tintin is full of offensive, racist, stereotypes. Should Africans take the publishers to court? No, argues the author; it is counterproductive.

• Tom Devriendt

• Steffan Horowitz

Globetrotter's organizing logic may be a bit elusive, but the content itself is often quite captivating.

• Boima Tucker

• Elliot Ross

The video, "African Men. Hollywood Stereotypes," made by an American NGO, is part of the "Brand Africa" discourse that's all the rage now.

• Basia Cummings

Djibril Diop Mambéty's film "Touki Bouki" is an excellent example of how the contemporary can be read through the (re)construction of myths and narratives from a collective memory.

• Orlando Reade

One of the striking facts of Nabil Ayouch's film is that Israelis love the land and the Palestinians love it too.

• Africa Is a Country